There are also Components that offer different channel counts. Open it up, and you get a great sound without touching a single control. High-end hardware reverb units just took a death blow the day H-Reverb was released. When it comes to looking for something special in terms of space, my H-Verb is a go-to. H-Reverb includes all of these and more in a single plug-in. A Density control resides in the Decay Envelopes section and adjusts the coarseness of the reverb tail from dense and natural to coarse and grainy. It has this beautiful, dense, natural-sounding finish to it, just like true soundwaves bouncing off the right kind of room.
If you're going to release a reverb plugin these days, it's got to offer something to make it stand out from the crowd. . New technologies open new creative horizons. H-Reverb surpasses them with the ability to add dynamics, sync pre-delay to a song, change the type of early reflection, echoes and modulation. You can also opt to apply reverb to the centre channel or leave it dry. A drop-down menu in the dynamics section is used to switch between ducking, de-essing or compression.
Most professional engineers use reverb in combination with other processing. H-Reverb also enables me to emulate some of my favorite patches from early digital reverbs. As an file sharing search engine DownloadJoy finds waves h reverb files matching your search criteria among the files that has been seen recently in uploading sites by our search spider. What all this adds up to is a complete toolkit for reverb treatment. I can go from wonderfully grand and natural spaces to ridiculously wild ones with unmatched control over every parameter.
There are even new modulation routings that allow you to customize your presets for everything from natural-sounding spaces to wild ear-grabbing effects. H-Reverb also includes tools to allow the user to shape the build-up and decay of the reverb envelope. A separate two-band damping section modifies the reverberant signal adjusting the relative high- and low-frequency decay with two sets of frequency and ratio controls, though again, dragging the two points in the window provides the most direct method of adjustment. Waves have combined both these approaches in creating their somewhat sophisticated H-Reverb, but it goes much further than that. The delays could be used on their own to create vintage tape-style echoes, while the reverb itself does a great job of emulating both classic hardware and more modern reverb devices.
What makes high-end hardware units sound so great is the reverb tail. The benefit is that the recreations are extremely realistic, but there are downsides too. This can be useful in creating unnatural decays such as gated and reverse envelopes, but it can also be used to replicate the more complex decay shape resulting from coupled spaces that each have different decay times, such as the different areas of a cathedral. Whether a small room for vocals or a huge shimmery out-of-this-world effect for cinematic drums or electronic leads, we look no further than the H-Reverb. I can finally get from this plugin the same great feeling of a hardware unit, with all the ease of plugin controls and automation! The algorithms are breathtaking and the interface gives access to all the parameters in one easy-to-view screen. H-Reverb features Waves' analogue modelling technology, while there's also a Drive control and a library of presets from leading mixing engineers.
H-Reverb from Waves is a reverb plug-in that combines convolution reverb with Finite Impulse Response reverberation technology, where the initial impulse response can be enhanced with algorithmic processes. These include settings for the resonant filter, including a choice of resonant low-pass or high-pass. The build-up time also goes way beyond what you might expect to hear in nature — around two seconds at its fullest extent — enabling some very textural and erie treatments to be set up. It can deliver an amazingly detailed and realistic room sound, but it can also create soundscapes limited only by my imagination. Used subtly it can add a rich chorus or mild flanging effect to the proceedings. You can find out more, download a demo and buy it on the website. It allows you to adjust parameters that most reverbs do not, and it sounds amazing.
Other processes often employed in conjunction with reverb include compression, de-essing to cut down sibilant splashiness , ducking to bring up the reverb level during pauses , modulation with variable rate and depth, delay that can be applied both pre- and post-reverb, and even degrees of overdrive distortion. But in most plugins, the very end of the reverb has bad breakup. A Test button injects an impulse of noise into the reverberator, which gives a good idea of how it will react to transient sounds such as drums. And you also get a Reverse button! Please note: All waves h reverb files listed on DownloadJoy are either indexed from other file hosts, or uploaded by our visitors for their own usage. Waves has released H-Reverb, a new reverb plugin based on innovative Finite Impulse Response reverberation technology that allow you to create deeper reverb tails.
With advanced analog modeling along with a drive control, the plug-in offers signal behavior previously found only in high-end hardware reverb devices. H-Reverb is one of the few reverb plugins that offers detailed control over the shape of the tail. As a sound goes into the plugin, you can hear how the different parameters provide variance in the sound of the room, just like a real performance changing slightly with its own dynamics and energy. Plate D was fully valve-powered on both drive and output stages, allowing for a versatile array of sonic characteristics, from warm and dark, to lush and smooth. In practical terms, this means that you can shape and customise the reverb's decay envelope in non-linear ways. This amazing effect lets me get sounds that I would otherwise need three or more plugins in order to get.
If we put H-Reverb up to a listening test with the best hardware units available, I honestly think I wouldn't be able to tell the difference between the plugin and the hardware. When you search for files video, music, software, documents etc , you will always find high-quality waves h reverb files recently uploaded on DownloadJoy or other most popular shared hosts. You can also switch on tempo sync for the pre-delay and either activate or deactivate the Input Echoes, Output Echoes, Dynamic and Modulation sections. This unique design also enables input drive, a technique favored by many top engineers. The attention to detail is spectacular, and the sound is unbelievably pure, deep and rich. The X Time and X Gain controls can be used to create a point where the slope changes, which can be positioned anywhere between the initial decay and final release phase of the reverb tail.
Despite its sophistication it remains very easy to use. This is relatively subtle compared with the resonant filter, which produces a much more obvious effect and can work magic on bland percussion loops. These include the expected halls, rooms, plates, gated and reverse reverb treatments plus a few more outlandish offerings. The synthetic part of the engine uses a fairly consistent amount of of processing power regardless of the decay time. When working with aggressive upfront synth leads, sometimes all we want to do is give some tail without setting it further back in the mix.